Royal Philharmonic orchestra
Vasily Petrenko, Music Director
As the Royal Philharmonic Orchestra (RPO) celebrates its seventy-fifth anniversary, its mission to enrich lives through orchestral experiences that are uncompromising in their excellence and inclusive in their appeal, places the RPO at the forefront of music-making in the UK and internationally. Typically performing approximately 200 concerts each season and with a worldwide audience of more than half-a-million people, the Orchestra embraces a broad repertoire that enables it to reach the most diverse audience of any British symphony orchestra. Whilst artistic integrity remains paramount, the RPO is unafraid to push boundaries and is equally at home recording video game, film and television soundtracks and working with pop stars, as it is performing the great symphonic repertoire.
The RPO collaborates with the most inspiring artists and is thrilled to welcome its new Music Director, Vasily Petrenko, from September 2021. His appointment stands as a major landmark in the Orchestra’s history, signaling its determination to broaden the audience for orchestral music while enhancing its reputation as one of the world’s most versatile ensembles. Vasily Petrenko made his debut with the RPO at London’s Royal Albert Hall in March 2016 delivering a powerful interpretation of Mahler’s Symphony No.2, ‘Resurrection’. His rapport with the Orchestra’s players has been reaffirmed with subsequent London performances, and forthcoming plans include a series of Mahler’s choral symphonies at the Royal Albert Hall, the great works of English composers at the Southbank Centre’s Royal Festival Hall, and tours to Germany and leading European festivals
In addition to the Orchestra’s annual season of concerts in London’s Royal Albert Hall, Southbank Centre’s Royal Festival Hall and its home Cadogan Hall, the RPO is a respected cultural ambassador and enjoys a busy schedule of international touring, performing in the world’s great concerts halls and at prestigious international festivals. The Orchestra has a long association with the USA, from its inaugural 1950 tour under the baton of its Founder Sir Thomas Beecham, when it performed in a staggering 45 cities in just 64 days, to its most recent 14-concert tour in January 2020, featuring acclaimed performances directed by Pinchas Zukerman. In recognition of the RPO’s warm relationship with US audiences, in 2016 it set about rejuvenating the American Friends of the Royal Philharmonic Orchestra (AFRPO), a 501(c) (3) organization that provides essential support for the Orchestra’s USA tours and educational activity (www.afrpo.com).
The RPO is recognized as being the UK’s most in-demand orchestra, an accolade that would have pleased Sir Thomas Beecham, who founded the RPO in 1946. His mission was to lead a vital revival of UK orchestras after World War II and form an ensemble that comprised the finest musicians in the country. The Orchestra has since attracted a glittering list of principal conductors, including Rudolf Kempe, Antal Doráti, Walter Weller, André Previn, Vladimir Ashkenazy, Yuri Temirkanov, Daniele Gatti and Charles Dutoit.
The RPO aims to place orchestral music at the heart of contemporary society, collaborating with creative partners to foster a deeper engagement with communities to ensure that live orchestral music is accessible to as inclusive and diverse an audience as possible. To achieve this, in 1993 the Orchestra launched RPO Resound, which has grown to become the most innovative and respected orchestral community and education programme in the UK and internationally. RPO Resound’s work in the USA is supported by the American Friends of the Royal Philharmonic Orchestra.
The Royal Philharmonic Orchestra has always been entrepreneurial and in 1986 it was the first UK orchestra to launch its own record label. The RPO has gone on to embrace advances in digital technology and now achieves nearly thirty million downloads of its recorded music each year. The Orchestra is increasingly active online (www.rpo.co.uk) and on social media (@rpoonline) providing audiences with the opportunity to engage with the RPO and enjoy ‘behind-the-scenes’ insights.
Passion, versatility and uncompromising artistic standards are the Royal Philharmonic Orchestra’s hallmarks, and as it looks forward to an exciting future with its new Music Director, Vasily Petrenko, it will continue to be recognized as one of the world’s most open-minded, forward-thinking and accessible symphony orchestras.
"...with poised contributions from across the orchestra, including silky, dextrous solos by the concertmaster Duncan Riddell and Katherine Lacy’s bubbly, characterful clarinet, everything felt just right. [Vasily] Petrenko incisively peeled away the bombast and uncovered the delicacy as well as the drama of the music."
The Times, June 2019
"Outstanding playing from the Royal Philharmonic Orchestra: I have not heard them on such form in years."
The Arts Desk, BBC Proms 2019
"The RPO was on rousing form… [and] left a stirring and exalting impression, as this music should."
Classical Source, BBC Proms 2019
"[The concert] was a wonderfully engaging affair, notable for the beauty of the orchestral sound."
"[The Firebird Suite] …was both delicately beguiling and packed a punch, proving in the process why this orchestra still matters."
"...punchy orchestral playing in an exciting performance."
"[Alexander] Shelley and the RPO were on great form here, with Shelley setting quick tempi and the RPO responding with accuracy and tight ensemble. The woodwind section deserve particular praise, with considerable solo work required, not least from bassoonist Helen Storey, with that heartrending plea in the Largo, as well as flautist Emer McDonough’s plaintive second movement solo."
Bachtrack, November 2019
"The string and wind sections played off each other spectacularly, with careful attention to detail and tone. This was to be expected from the Royal Philharmonic, one of the best and most prestigious symphonic orchestras in the world."
The Daily Californian